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   <marc:leader>00000nam a2200000 a 4500</marc:leader>
   <marc:datafield ind1="1" ind2=" " tag="100">
      <marc:subfield code="a">Shaw, George Bernard</marc:subfield>
      <marc:subfield code="4">aut</marc:subfield>
      <marc:subfield code="e">Verfasser/-in</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="0" ind2="0" tag="245">
      <marc:subfield code="a">Three Plays For Puritans</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="0" ind2="0" tag="245">
      <marc:subfield code="c">George Bernard Shaw</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1=" " ind2="1" tag="264">
      <marc:subfield code="a">Harmondsworth</marc:subfield>
      <marc:subfield code="b">Penguin</marc:subfield>
      <marc:subfield code="c">1962</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="1" ind2=" " tag="490">
      <marc:subfield code="a">Penguin Plays</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="1" ind2=" " tag="520">
      <marc:subfield code="a">In The Devil's Disciple, a clergyman turned soldier and the Shavian ideal of a Puritan hero willingly risks his life for a stranger. Caesar and Cleopatra, a brilliant satire on contemporary Britain, contains an utterly unexpected portrait of Julius Caesar. In Captain Brassbound's Conversion, it is Lady Cicely's cunning manipulation of the truth that ensures that fairness, rather than justice, prevails.</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="0" ind2=" " tag="490">
      <marc:subfield code="v">SAMMELBAND</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1=" " ind2=" " tag="300">
      <marc:subfield code="a">346 p.</marc:subfield>
   </marc:datafield>
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