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   <marc:datafield ind1="1" ind2=" " tag="100">
      <marc:subfield code="a">Brown, Dan</marc:subfield>
      <marc:subfield code="4">aut</marc:subfield>
      <marc:subfield code="e">Verfasser/-in</marc:subfield>
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   <marc:datafield ind1=" " ind2=" " tag="653">
      <marc:subfield code="a">Thriller</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1=" " ind2=" " tag="653">
      <marc:subfield code="a">Englisch</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="0" ind2="0" tag="245">
      <marc:subfield code="a">The Lost Symbol</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1=" " ind2="1" tag="264">
      <marc:subfield code="b">Bantam Press</marc:subfield>
      <marc:subfield code="c">2009</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1="1" ind2=" " tag="520">
      <marc:subfield code="a">Robert Langdon flies to Washington after an urgent invitation to speak in the Capitol building. The invitation appears to have come from a friend with copper-bottomed Masonic connections, Peter Solomon. But Langdon has been tricked: Solomon has, in fact, been kidnapped, and (echoing the grisly opening of the last book) a macabre mutilation plunges Langdon into a tortuous quest. His friend’s severed hand lies in the Capitol building, positioned to point to a George Washington portrait that shows the father of his country as a pagan deity. The ruthless criminal nemesis here is another terrifying figure in Brown’s gallery of grotesques: Mal’akh, a powerfully built eunuch with a body festooned with tattoos. Mal’akh is seeking a Masonic pyramid that possesses a formidable supernatural power, and a pulse-pounding hunt is afoot, with Langdon stalled rather than aided by the CIA.</marc:subfield>
   </marc:datafield>
   <marc:datafield ind1=" " ind2=" " tag="020">
      <marc:subfield code="a">9780593054277</marc:subfield>
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